Wednesday October 31st - November 6th

Wary of getting too caught up in this Halloween jibe. This godless yankee pumpkin pie palava, this festival of fancy facemasks and trickster treats, we’re dividing ThreeThousand down the middle this week.

The dead:   
- Pretty much everyone who appears on screen in this half of Grindhouse
- The lost arts of nude painting, vinyl collecting and Paul Simon
- Those braving a cold winter in Strap-on County

The quick:
- Those wishing to enter or exit the Curtin House lift
- The people who first realised that YouTube could make them famous
- A birthday that rolled around way too fast
- The speed reader who just won a double pass to Cut Copy

ThreeThousand Issue 129 – the quick and the dead

 


Cover photo by Kate Mosh. If you would like to submit a cover photo, email photo@threethousand.com.au.



 
Images by Mia Mala McDonald at Fashion Keyboard

 

 
   

 


 
 
 
 
 
 

Direct from the Swedish creative super-group, issue 5 of ACNE Paper chews the lean sinew of elegance. It’s hard to argue with a publication so generous. It sizes an ample 40 x 30 cm and 122 pages worth of features that don’t cut corners. In between the satisfying word count, the photography is so devastatingly beautiful you’ll forget you’re reading a magazine that cost you as much as your lunch.

Hubert De Billy and Edouard Cossy will show you the way to contentment via a flute of Pol Roger Champagnge. Brian Greene lures your eye up to the simple economy of our galaxy. And Camille Bidault-Waddington teases Jarvis Cocker for wearing similar colours to her.

ACNE Paper issue 5 can be summed up in Paulo Melim Andersson’s words: “Elegance is hybrid. It’s an orchid that looks different every time. An undefined nimbus. It’s like the stars. You dream of them, but you will never get there.” – p.72

No doubt ACNE Paper will give you plenty to dream about.

By Isabel Dunstan

What:
ACNE Paper

Where:
Cactus Jam International, 14 Albert Coates lane, city
Online here

When:
issue 5 just out

How much:
$11.95 per issue
 
 
 

Pixelated palm trees blur into the background as your cherry red Lambo speeds into the sunset. That’s the scene set in the video game world of Plug-In City, the latest foot soldiers from Modular Records’ ‘80s dance dance revolution.

This heaving, seething Melbourne five-piece wields slinky bass lines, squelching synths and urgent flock-off vocals. Casey Rice’s production is spot-on as always, with shimmering guitars, warm thick bass, and moody atmosphere. And while they’ve got some catchy pop hooks, the best bits on this Plug-In City EP are the occasional atonal chord change and off-kilter rhythm – the bits that make this more moody than Miami Vice.

Grab your Ray-Bans, it’s gonna be a hot summer in Plug-In City. Which kicks ass over a cold winter in Strap-on County. 

By Wilfred Brandt

What:
Plug-In City EP

Who:
Plug-In City

On:
Modular

MySpace:
here

Launching:
Sat Nov 10, Miss Libertine.

Win:
Thanks to Modular, we have 5 copies on the EP to give away. Just email win@threethousand.com.au with the subject line: 'cold city in Strap-On County'.
 
 
 
 
 
 

Some people go to galleries to meet people. But with all those wide-open spaces it can be awkward approaching your quarry casually. This scenario would play out differently, for instance, if you were in a lift. Swivel to the right and… eye contact assured!

This city has a history of putting art in unexpected places. Mailboxes, subways, what have you. Rise and Fall takes this idea further in an awesomely confronting way. Described as a ‘parasite space’, it’s a gallery you can’t avoid unless you’re in the habit of climbing the 100 plus stairs to Rooftop Bar.

Art in a lift. But won’t people graffiti on it? Won’t they place their fearsome gig stickers all over it and generally deface it with their inane ramblings? Probably. Founders Chris Barton and Dave McDonald were obviously partly inspired by this challenge. And it’s what makes the inaugural exhibition, Text Me, by Melbourne artist Al Stark so ingenious.

A life-sized figure in an ethnic Ku Klux Klan mask implores you to text him – via a bleeding message inscribed on his chest – and the number is provided. Is it a statement about our desperation to connect? Or the inadequacy of technology to this end? Maybe the text messages appearing on the walls each day will tell you. And if you’re too shy to talk to the person standing two feet away – you know what to do.

By Penny Modra

What:
Rise and Fall

Where:
Curtin House Lift, all floors and in between, 252 Swanston St, Melbourne

Current exhibition:
Text Me by Al Stark

When:
Whenever Curtin House is open

How much:
Free

Contacf:
david@riseandfall.com.au or chris@riseandfall.com.au
 
 
 

Architects. Melbourne’s long been awash in them. Conversations on Deco awnings and Belgian floor plans are more ubiquitous than chats on coffee-bean roasts or the weather, right?

Now, new cab off the rank, Arkitekt Records, mayn’t be a studio brimming with black bedecked silhouettes pondering unfurled floor plans, but they’ve certainly got building in mind. Or should we say re-building. You see, these kids are fighting to re-instate the groove laden (pardon the pun), spinning black wheel that is vinyl to its perch of former glory.

Extolling the virtues of vinyl as an art-form that eschews our throwaway age, this East Brunny bastion proudly celebrates the tactile musical ritual made famous by our parents, giving those itunes weary punters out there a healthy dose of nostalgic passion with their heady array of new and used 7” and 12”s. Give it a whirl.

By Josh Gardiner

What:
Arkitekt Records

Where:
81 Lygon Street, Brunswick East

When:
Mon-Sat 11am-7pm

Contact:
9387 2470

 
 
 
 
 
 

Producer Harvey Weinstein lived up to his Entourage doppelganger when he wailed on Kurt Russell at Cannes this year. Russell was publicly rebuked for saying that audiences won't get to see the planned Quentin Tarantino / Robert Rodriguez double-bill Grindhouse as it was meant to be seen: "Two movies together, the complete three-and-a-half hour ride."

Grindhouse was split in two for distribution, and Tarantino's extended half, Death Proof – fizzing with digitally-inserted flaws, scratches, and missing frames – is also split. Two films, sharing a villain in Kurt Russell's "Stuntman Mike", getting a long-deserved Travoltian
comeback.

But there’s never been split-brain cinematic self-diagnosis as accurate as in Death Proof. The first half up with Tarantino's best: idiosyncratic dialogue, carefully-balanced comedy and menace, and The Coasters' track 'Down In Mexico'. (You'll be humming it for days.)

The second half goes from 100 to 0mph. Other than an old-school car chase, it shows all Tarantino's failures. What worked for Godard doesn't work in an exploitation flick: just as things were heating up, you're left wading through more pop-culture minutia with new, empty characters and no dramatic tension. See it in a packed cinema, and the crowd-buzz might carry you through to the finale.

By Martyn Pedler

What:
Death Proof

Where:
Kino Dendy
Hoyts Melbourne Central

When:
Opens Nov 1

Watch the trailer::
here
 
 
 

Chloe suffered the jeering nonsense of wowser conservatism when she sailed to Melbourne in 1880. Generations have since filtered out such prudery. Not only can we shamelessly share a drink with Chloe in a Melbourne pub like she’s a mate (a, um, very naked mate) but we can purchase an interactive calendar of salon nudes.

We should clarify what we mean by “interactive”. Don’t think Dana, featured in the month of May, will offer to tattoo your leg. Or B Girl of September will hoon around on her roller skates. But Arlene Texta Queen has illustrated real women in their natural habitats, and you’re invited to pull out your texta and colour in their curvaceous lines.

If you feel deprived of bare beauties like Peter Cook and Dudley Moore who amusingly posited, “I bet dere are tousands of paintings we’re not allowed to see where the gauze ain’t landed in the right place.” Or guilty for "paying your respects" to Chloe as an excuse to down a few - Leunig may have to give up your wall space next year.

By Isabel Dunstan

What:
TextaQueen’s 2008 Colour-In Calendar

Where:
STICKY, Metropolis, Brunswick Bound, 361 Sydney Rd, Brunswick

When:
Out now

How much:
Around $17
 
 
 
 
 
 
So many people felt betrayed. Good people. People who had spent weeks – months even – sitting at their computers staring at a sixteen year-old, not even going to the bathroom, imagining themselves rescuing her, then taking her out for a milkshake and maybe to meet their mother and then driving her back to their apartment and making her feel, like, at home. Etc.

BUT SHE WASN’T REAL! Oh the heartache. The legitimate upsetness that these YouTube patrons experienced.

Now they’re over it though, and they want to know how they, too can find an audience of more than 70 million on the intermenet. Lucky then, that co-creator and producer Miles Beckett and head writer Luke Hyams are doing a presentation on lonelygirl15 at ACMI tomorrow – and they’ll talk about spin-off series KateModern as well.

Bree will not be there, partly because she’s now starting in the ABC Family series Greek. But mostly because she’s NOT REAL.

By Penny Modra

What:
Lonelygirl15 in conversation – presented by Portable Film Festival

Where:
ACMI, Federation Square

When:
Thurs Nov 1, 3pm

How much:
$25 here

Win:
We have one double pass to give away. Just email win@threethousand.com.au with the subject line ‘I could have saved Bree Avery’
 
 
 
 

Julio, down by the schoolyard in North Fitzroy, may be the first cafe ever to have been completely inspired by Paul Simon. Benevolent, daggy yet inherently cool, Julio, like Paul Simon, is indifferent to judging eyes. Fresh jam and custard doughnuts are Julio’s trademark product. Gobble one while you tap into the free wireless internet and slurp your Supreme coffee.

Should you feel like something more, the menu offers a delightful mix of items startlingly different from Melbourne’s quotidian cafe chow, a ‘Turkish breakfast plate’ with tomato, cucumber, fetta and olives sets the tone for a Moorish themed menu, dominated by salads and fresh produce rather than bread (although the sardine, lemon and harissa toasted sandwich is a ripper).

Enquire about the ‘secret special’ and procure yourself some baked organic eggs with marinated white anchovies, capers, red peppers and parsley. Soon to be the exclusive Australian stockists of New Zealand’s beverage du jour ‘Foxton Fizz’, Julio is worth the trip. Tell your friends “I’m on my way, I don’t know where I’m going…see you, me and Julio down by the school yard…”

By Jasmine McGowan

What:
Julio

Where:
171 Miller St, North Fitzroy

When:

How much:
9489 7814

Contact:
9489 7814

Image:
By Simon Zoric
 
 

What:
Cut Copy on ‘So Haunted’ tour with Damn Arms and DJ Knightlife

Where:
Billboard, 170 Russell St, Melbourne

When:
Fri Nov 2, doors 9pm

How much:
$22 BF at Moshtix or Ticketek

Win:
We have one li’l haunted dlb pass to give away. Just email win@threethousand.com.au with the subject line ‘
 

Description:
Cut The Damn Arms? – Everyone loves an emo writer. Fanatics and FOBS (those Fond Of Band Stalking) alike will enjoy the Disco-Mashed-Pop (wow) and the raw punk rock energy of acclaimed local bands, Cut Copy and Damn Arms.

With both groups on the verge of releasing new albums, those in attendance will no doubt hear a refreshing mix of nu and old tracks. Bootlegs, remixes and straight-up unreleased gold will set the tone of the gig. Expect to hear ‘I knew him from high-school’ and ‘my ex-girlfriend once made him…’ from patrons indulging in the success of their countrymen.

Check it out, yeh, check it out.

What:
Dardanelles album launch

Where:
Roxanne, Lvl 3, 2 Coverlid Pl, Melbourne

When:
Fri Nov 2, 8pm

How much:
$12 BF here 

Win:
We have two double passes to give away to this show. Email win@threethousand.com.au with subject line ‘I encourage the neutral Balkan States to join the Allies’
 

Description:
Elsewhere, The Dardanelles is a 61km strait between Europe and Asiatic Turkey and The Narrows is an area of said straight spanning only 1,600 metres in width. In Melbourne, The Dardanelles are a band and the Narrows is a gallery. (NB: The Narrows has nothing to do with this actually.) Point being – Dardanelles are launching their debut album Mirror Mirror this Friday supported by the E.L.F and The Reptiles. Come; look over them as though you are the high cliffs of the Gallipoli Peninsula.

What:
Kid Confucius (The Street Corner Soul Tour) and Hot Little Hands (aka HLH @ TIT)

Where:
The Toff in Town, Level 2, 252 Swanston St, Melbourne

When:
Sat Nov 3, doors 9pm

How much:
$12 BF here or $15 on the door
 

Description:
When Hot Little Hands came up with “HLH @ TIT" they considered throwing in their guitars and choosing a career coining catchy gig titles for bands. Don’t worry though. We kidnapped the band, tied them to trees and zapped them with batteries until they agreed to play for us.  The honourable Kid Confucius will be performing at The Toff this Saturday. And, providing the Hot Little Hands work out a way of untying each other – they’ll be joining in.

What:
Trough #18

Where:
Geddes Lane (off Flinders Lane, behind 60 King St), Melbourne

When:
Sat Nov 3, doors 10pm

How much:
$10 on the door

 

Description:
The age of legal driving, drinking and other stuff. Trough might be turning 18 but legalities have never really concerned them. Grab your hairdryer and stick it somewhere useful. With DJs Adam Askew, Kapitolina, and My  DJInflammatory.

What:
Miss Libertine 1st Birthday Party

Where:
34 Franklin St, Melbourne. DER.

When:
Cup Eve, Mon Nov 5, doors 8pm

How much:
$15 on the door unless you have an invite
 

Description:
Can you believe it you crazy old codgers?? Miss Libertine has been around for a year already. We might as well all book in for laser treatment on our varicose veins right now because this party will age us another year before next Tuesday. We’re talking most every DJ that has played there over the past year all in one night. CWD, Steezy, Ooh-ee, Loot, Callender, Dave Pham, Kano, Ennio Styles, Hands DC, Team Opulent, Nick Jouin, Andrew Jobe… the list goes on. Free BBQ, free beer, free fairy bread, punch, balloons, streamers, Jerry might even get out the top hat again.

What:
The Wagons Curse of Lightning launch

Where:
Northcote Social Club, 301 High St, Northcote

When:
Cup Eve, Mon Nov 5, doors 8.30pm
Cup Day, Tues Nov 6, doors 4.30pm

How much:
Both shows $12 BF here, $14 on door if still available

 

Description:
Modern country, washboards. These words should be in your vocabulary. If you haven’t witnessed the incredible world of The Wagons, please dedicate some time this long weekend in aid of your own quality of life. This band is said to be influenced by Johnny Cash, Scott Walker, the Flying Burrito Brothers, Cormac McCarthy, Haruki Marukami, Rod Stewart and Skyhooks. There are two shows. On the Monday, they’re supported by No Through Road and Joni Lightning. On the Tuesday they’re playing with The Smoking Muskets and the TM Band.

 
 
 
 
 

This week’s giveaway gives you all the info, everything you’ll every need to know about one of the world’s strangest directors. Alejandro Jodorowsky is a freak, plain and simple. Not mad, not crazy, not unstable, just a very strange man with a very different way of looking at the world. Filmmaker, comic book author, world leading expert on the tarot, Jodorowsky started the midnight movies with El Topo and pissed on every religion in The Holy Mountain.

FYI for those who might be in Paris – every Wednesday he gives free tarot readings at his local cafe. You’ll have to use zen navigation to find it though as he refused to give up the location in a recent interview at the Chauvel Cinema.

For more than 35 years his most iconic films have gone without an official release. Now a mother of a box set ‘The Films of Alejandro Jodorowsky’ (four DVDs, two CDs and 60-page booklet) has been released. It is pricey, but thanks to Siren Visual, we have a copy of to fling at you. All you need is a bit of knowledge about the midnight movie phenomenon. (Or Google).

 

This week’s question:
Which one of the following films was NOT a midnight movie (there were only six, after all)?

a) Eraserhead

b) The Harder They Come

c) Blow Up

d) El Topo

e) The Rocky Horror Picture Show


To be in the running send your answer and postal address to win@threethousand.com.au, winners will be notified by email.


 
 

ThreeThousand is a weekly snapshot of Melbourne's subculture, fired by email into the loving arms of people who realise that the best things in life are often hard to find. It is compiled by an amorphous gaggle of writers, stylists, designers and photographers who all like huddling under that big umbrella we like to call creativity. Without editorial independence ThreeThousand has nothing. All editorial you read is featured because it's worth it – not because it's paid for.

Advertising Partnerships:
ThreeThousand is funded in full by one advertising partner per issue. We warmly invite advertisers who see the benefit in speaking to Melbourne through a trusted and targeted medium to contact Francesco at frunch@rightanglepublishing.com

Feedback:
Have something to say? Then say it by emailing talk@threethousand.com.au

Disclaimer:
The information in ThreeThousand is subject to change. Although we attempt to ensure that the content at the time of publication is correct, we do not guarantee its accuracy or currency. Right Angle Publishing accepts no responsibility to you or anyone else arising from any use or reliance on the information contained in ThreeThousand or any inaccuracy in the information. The views and opinions expressed on material included in ThreeThousand may not reflect those of Right Angle Publishing.


 

Contact:
Right Angle Publishing
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Melbourne, 3000
+ 61 3 9662 1657

ThreeThousand's MySpace:
myspace.com/threethousand

Group Publisher:
Barrie Barton
barrie@rightanglepublishing.com

Editor:
Penny Modra
penny@threethousand.com.au

Associate Editor:
Isabel Dunstan
isabel@threethousand.com.au

Film Editor:
Martyn Pedler
martyn@rightanglepublishing.com

Music Editor:
Mark Gomes
mark@threethousand.com.au

READ Editor:
Kirsten Law
kirsten@threethousand.com.au

Design Monkeys:
tin&ed

Image and Web Monkey:
Taran Hubbert

STREET Pics Monkey:
Mia Mala McDonald

Contributing Monkeys:
Nadia Saccardo
Jasmine McGowan
Josh Gardiner
Leith Thomas
Robbie Coleman
Simon Zoric

Check out our 'Meet Me for a Drink' column in The Age EG liftout every Friday...

Meet Me For a Drink Monkeys:
Kirsten Law
kirsten@threethousand.com.au
Penny Modra
Simon Godfrey
Mark Gomes
Matt Hurst
Josh Gardiner
Isabel Dunstan

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