Wednesday 30th May – 5th June

Cosiness has got a bad rap over recent years. The making of soup, the wearing of slippers the penning of memoirs and such and such – not very punk. Even Martha Stewart, queen of the cosy, went down for insider trading. But for those about to embark on a Melbourne winter, when walking out your front door at 8am feels like drinking from a fire hose, cosiness should be starting to look pretty good.

Rather than stay at home with the cat and a whisky flagon, we’ve decided to take cosy to the streets. From a bandroom named after a couch to tracky dacks masquerading as jeans; from a book you can’t read to books you can read but didn’t know about; from hanging salamis to hanging out with Slayer, this week the coolest things are, um, also the warmest things.

 

ThreeThousand Issue 107 – cosy like the wolf.

Cover photo by tin&ed. If you would like to submit a cover photo, email photo@tinanded.com.au
 

Images from To All The People We Love at Roxanne, courtesy of NowNow Pics

 
   


Working for us
I’m Busy
The Smoking Gun
Blue Ball Machine
Fantasy Goat
Persepolis

Tell us what's cool cool@threethousand.com.au

 


Working for the man
I’m available
The smoking jacket
Blue Balls
Fantasty fiction
Perspiration

Tell us what's fool fool@threethousand.com.au

 
   
 
 
 

The Skin Project by Brooklyn artist Shelley Jackson is a 2095-word story published exclusively in tattoos, one word at a time, on the skin of volunteers.

Jackson considers the work to be, in some ways, a 'hidden track' of an earlier collection of short stories, The Melancholy of Anatomy. Unlike her other published works however, you won't find Skin on Amazon. The author has strictly stated that the story in its entirety will be published nowhere else and only be known to volunteers, who are known as 'words'.

Interested in becoming a word? Perhaps looking to cover up your Power Piglet? Head on over to Jackson's website for more details on how to get involved. While there are very few remaining words to be allocated, the author is still accepting applications.

There are some strict guidelines though. The word must be tattooed in black ink, large enough as to be visible by the naked eye, and in a classic book typeface, so no Comic Sans people.

By Jeremy Wortsman

What:
The Skin Project

Where:
On people’s bodies

How much:
The price of a tattoo

Contact:
Shelley Jackson shelley@drizzle.com
 
 
 

Deerhunter’s Fluorescent Grey EP is the dream existential suicide, insofar as you can commit it / listen to it more than once. There are only four songs, but each is a chemically lucid vignette of hazy psych-sex. Saturated in the sounds of transcendental death, the record plays out as an extended epiphany as good as the calm part of drowning is meant to be. Words and music repeat out like a mantra, mourning and learning in patterns beyond recognition, over and over, forever delayed towards the post-coital ecstasy of being no more than an object.

Opening track, ‘Florescent Grey’, sets the tone with strung-out guitars and doubled-up vocals spoken as if from behind and in front of a mirror. ‘Patiently, patiently… Patiently, patiently’, intones bandleader Bradford Cox ad nauseum until the song explodes in a whorl of casket dust and blurred lights on rainy windows. ‘Dr Glass’ jabs the same vein, considering all the world’s ‘Couples kissing’ and ‘Corpses rotting’ in the same phrase, and then there’s ‘Like New’, perhaps this year’s best song to date. This one is inscrutable; for a feeling touchstone combine Murmur -era REM, Disney’s The Skeleton Dance, Alexander Trocchi and psyclocybin.

By Mark Gomes

What:
Fluorescent Grey

Who:
Deerhunter

Where:
Missing Link

On:
Kranky / Inertia

MySpace:
here

Related Links:
Bradford Cox Interview
 
   
 
 
 

There’s more to being a slayer fan than obsessing over serial killers, satanism and warfare, collecting box sets and feuding with Megadeth. If you’ve been to a Slayer gig you have probably also crossed the lens of UK photographer Sanna Charles, who has spent much of her grown-up life following Tom Araya, Jeff Hanneman, Kerry King, Dave Lombardo, their predecessors and their fans around the world.

This exhibition is a tribute more to the fans than the band. Photographed around the venues of Slayer shows in the UK, Oslo and Helsinki, they appear to be a friendly bunch (many of them too young to remember the Studio 54 show of ‘84). Charles says she is drawn to the ‘nostalgic timelessness’ of metal culture. Her work plays on the contrast between primal mosh pit shots and intimate fan portraits. This exhibition is presented by Vice and Insight.

By Penny Modra

What:
Slayer Rules

When:
Sat June 2 – Sat June 23

Where:
Don’t Come, Lvl 2 Royal Arcade, 314 Little Collins St, Melbourne

How much:
Free
 
 
 

There is a book sale on at The Athenaeum Library at the moment. ‘The Athenaeum Library?’ you may ask. And if so, you have stumbled upon our real reason for writing this article. Winter is upon us – people’s roofs are already blowing off and the usual umbrella midgets are on the streets poking us in the eyes with metal spokes every which way but straight.

In short, it’s time to find some new, cosy places to hang out where there are little antique tables, nice plush rugs, flowers in vases and friendly ladies with whom we can chat. Enter the Athenaeum Library. Established in 1839, it began as an institution that would assist in ‘the diffusion of scientific, literary and other useful knowledge’. These days it’s a not-for-profit lending library with a large ‘leisure reading’ collection.

So, back to the book sale. On offer you’ll find cheesy romance and thrillers alongside weighty non-fiction tomes with titles like The United Nations Year Book 1998. Importantly, you can pop by with your coffee, or ask for one when you get there. As their flyer says ‘you’re never just a number at the Ath’. And you’re not cold or wet either.

By Penny Modra

What:
Book Sale

When:
Mon-Thurs 9.30am-6pm, Fri 8.30am-5pm, Sat 9am-1pm

Where:
The Melbourne Athenaeum Library, Lvl 1, 188 Collins St, Melbourne

How much:
Free entry, books from $1

Contact:
9650 3100
 
   
 
 
 

Everyone has a cinema aesthetic they'd secretly like to live inside. Tim Burton's gothic whimsy? Michael Bay's hyper-saturated blockbuster sheen? Don't make your final decision until you've witnessed Seijun Sukuzi's Branded To Kill.

Hanada is Japan's #3 killer, with a "peculiar quirk" for the smell of boiled rice and strangely padded cheeks that make him look like the Radiator Girl from Eraserhead. Things go wrong when he falls for a death-obsessed femme fatale who decorates her apartment with butterfly corpses. Suzuki was famously fired for deviating from the script and making "movies that make no sense and no money." Much like Chan-wook Park's recent cult smash Old Boy, Branded To Kill transforms into a completely different film every twenty minutes or so, and each one of them is fascinating.

It's violent, playful, haunting, and sadistic; a gangster film twisted into a psychosexual, surrealist classic where every scene could be a movie of its own. Just try to imagine the Hollywood remake. (You know they'll get around to it any day now.) Finally – Branded To Kill is one of the goddamn best-looking movies you'll ever see.

By Martyn Pedler

What:
Branded To Kill (1967)

Where:
Madman DVD

When:
Now available, with other Suzuki films like Tokyo Drifter and Youth of the Beast soon to be released.

Watch the trailer:
here

Win:
We have five Branded To Kill DVDs to give away. Email win@threethousand.com.au with the subject line ‘boiled rice is twice as nice’.
 
 
 

In the 1800s, Levi Strauss would have had little concept of the implications of his invention. Of the jiving, the flaring, the acid-washing, the skinny legging, the denim madness that would ensue. Even less so could he, or any of us for that matter, have anticipated this new advancement. These jeans that are not jeans.

Talking About the Abstraction is made up of three fashion and design graduates from Japan who have gained acclaim by digitally printing images of clothes onto, well, clothes. The brand is renowned for its trompe l’oiel prints on shoes but the real coup is the pants. They start with an innocent pair of tracky dacks and print a jeans-like image onto them. The effect is so life-like (edging on the hyper-real) that only turning them inside out gives the full effect of what’s been done.

In our never-ending copy of a copy of a copy world, Talking About the Abstraction appears to be taking comfort-dressing to a new level. Maybe next they should apply a Cheap Monday narrow print to breathable cotton leggings? Ventilation is just as vital as style.

By Nick Jumara

What:
Fake Jeans from Talking About The Abstraction

Where:
L E F T, 161 Gertrude St, Fitzroy

When:
Mon-Sat 10am-6pm, Sun 12-5pm

How much:
$650

Contact:
9419 9292 or left@left-fashion.com.au
 
   
 
 
 

It would be fair to say that each gig-going Melburnian has exhausted their whinge-o-metre for one lifetime when it comes to the closing down of iconic band rooms.

Well, whinge no longer. Like superheroes with their knickers on the outside of their sparkly leggings, A Good Sort are saving the day. They may not rescue kittens from trees or scale the Eureka Building with suction-caps for feet, but they will bring you live and local music via the refreshed band room at Gertrudes Brown Couch in Fitzroy.

A Good Sort have lovingly booked artists; Sly Hats (this Thursday in fact ­– more on that later), Tic Toc Tokyo, Marcus Teague (Deloris), Big Cats, Jerry Falwell Destroyed Earth and Ned Collette among others.

At Brown Couch there are fine and affordable drink prices Wednesday to Friday evenings and cheap door charges too. This Thursday, for $5, see Sly Hats (mental note, a good preview of the album before the June 22 Toff in Town launch) supported by Barrage and Failing Star. It’s comforting to know that live music continues to survive the battle against pizzerias. Cheers to A Good Sort for the peace of mind. 

By Isabel Dunstan

What:
A Good Sort band nights

Where:
Gertrudes Brown Couch Bandroom.
Upstairs, 30 Gertrude St, Fitzroy

Contact:
9417 6420 or agoodsort.bookings@gmail.com

MySpace:
here
 
 
 

Once they see gilt window signage this awesome many people won’t need to know what’s inside, they will simply be drawn onward and inward by the shiny hot typeface. Others don’t care a jot for lettering. They are the ones who go to Superfino Delicatessen because they have heard about the food.

In a perfect marriage of dangling salamis and espresso, this new eating spot is brought to us by the people originally behind Aix in Centre Way. Think organic bread, gourmet sandwiches, piadinas, baguettes, salads, even cheese and spinach pie. There’s one soup and one curry per day. You can get free-range eggs for breakfast. There are bar stools and cushy little tables. There are hanging lights inside old olive jars. They have the kind of chocolates on the bar that make you feel like tugging your mum’s sleeve and pointing until she rolls her eyes and buys you one. You can call ahead with your order and get some dinner ingredients while you’re there. How very wholesome you will feel.

What:
Superfino Delicatessen

Where:
275 Flinders Lane, Melbourne

When:
7am-5pm Mon-Fri

Contact:
0407 773 754
 
 

What:
Punkasila CD launch

When:
Thurs May 31, 8pm

Where:
Ding Dong Lounge

How much:
$10

 

Description:
Punkasila are an 8-piece punk-rock band from Yogyakarta. They wear camouflage patterned hand-painted batik, tailored military fatigues. They play hand-crafted mahogany guitars that simulate hybrid M-16_s/AK-47_s. They’re launching their debut CD Acronym Wars. With The Histrionics in their final Australian show before a European tour.

What:
Laneway 3000: Winter Party

When:
Fri Jun 1, 6-9pm

Where:
Niagra Lane, between Little Bourke and Lonsdale Sts, west of Elizabeth

How much:
free

 

Description:
This hard-to-find party is not in a laneway bar, it’s in a laneway, which makes things easier. Presented by the City of Melbourne, this event presents a good chance to grab a free drink (one on entry), watch some contortionists, circus artists and say a big hello to winter. There’ll be a sneak peak of winter events planned for the city, backed up by a set from Caz Reitops regular Mr Lob and the ladies of High Ball Burlesque. There are some after parties planned too, apparently there will be arrows to follow, which might be required by 9pm.

What:
‘The Golden Years’ Is Not Magazine Party

When:
Sat June 2, 9pm

Where:
Miss Libertine

How much:
$10

 

Description:
Is Not Magazine is two years old now and they are celebrating geriatric status with a birthday party called ‘The Golden Years’. The rumours about a senior citizen tap dance troupe are true, they’re called The Golden Girls, get there at 9.30 or you’ll miss ‘em. They’re supported by Near Your House and The New Electric live, plus DJs Mafia, Barrie Glitter and podwars champions Plump’n’Rosie. $2.50 sherry shots all night.

Win: This OUT has been brought to you by Penny Modra who edits both ThreeThousand and Is Not Magazine, and stresses that no bias has been brought to bear upon the listing, adding that she has managed by dint of alcohol to convince the other Is Not editors to give away a double pass to the party and those interested should email win@threethousand.com.au with the subject line ‘two years of anything deserves a sherry’.

What:
Little Red on the roof

When:
Sun Jun 3, 7pm

Where:
Rooftop Bar, Level 6, 252 Swanston St, Melbourne

How much:
Free

 

Description:
Little Red. On the roof. Free. Madness! Turn up early and play bocce on the fake grass, or get there at dusk for a dose of Jackie Cooper, Speedo and Coca Cola. (Maybe this will thin the madding crowds at their Tote gig tonight too.) Taka says if you throw your underpants at them they might give you a free pair of Little Red merch undies as a prize (Dominic, Adrian and Quang have not necessarily agreed to this.)

What:
Youthquaker Exhibition and after party

When:
Thurs May 31 – Sun 24 Jun
Launching Thurs May 31, 6-9pm

Where:
Exhibition at 293 Drummond St, Carlton
Launch after party at Miss Libertine, 34 Franklin St, Melbourne

How much:
Free

 

Description:
An exhibition inspired by ‘60s fashion, music and culture, curated by Tracy Quertier. The youthquaker movement may have had a weird name, kind of like an underage church service, but Twiggy was its poster girl. It was all about miniskirts, jumpsuits and hanging out with Andy Warhol. There’s an after party for the exhibition launch at Miss Libertine. Hot Little Hands are playing it. Due to an innate ‘60s leaning, no members of the band will be requiring costume hire.

 
   
 
 

As we take this weekend’s sh*tty weather into account and look forlornly into our cupboards for something that doesn’t make us look like a pom pom child or the staypuff marshmallow man, we’ll probably end up throwing on a t-shirt anyway. If you’re going to be cold, you might as well be um, hot and cold.

Designed by Mark Drew and Ed Woodley from China Heights gallery this is the first ‘official’ range of tees from the notorious sin city art space. The first shipment sold out. They are available to buy in Melbourne exclusively from Betula at 239 Flinders Lane, but we also have two to give away. Just answer the following question:

 

This week’s question:
The good china is…

a) not coming out until Christmas
b) now in charge of Hong Kong also
c) playing keyboards in Hot Little Hands
d) destined to triumph over the evil china

To be in the running send your postal address and answer to win@threethousand.com.au, winners only will be notified by email.

 
 

ThreeThousand is a weekly snapshot of Melbourne's subculture, fired by email into the loving arms of people who realise that the best things in life are often hard to find. It is compiled by an amorphous gaggle of writers, stylists, designers and photographers who all like huddling under that big umbrella we like to call creativity. Without editorial independence ThreeThousand has nothing. All editorial you read is featured because it's worth it – not because it's paid for.

Advertising Partnerships:
ThreeThousand is funded in full by one advertising partner per issue. We warmly invite advertisers who see the benefit in speaking to Melbourne through a trusted and targeted medium to contact Francesco at frunch@rightanglepublishing.com

Feedback:
Have something to say? Then say it by emailing talk@threethousand.com.au

Disclaimer:
The information in ThreeThousand is subject to change. Although we attempt to ensure that the content at the time of publication is correct, we do not guarantee its accuracy or currency. Right Angle Publishing accepts no responsibility to you or anyone else arising from any use or reliance on the information contained in ThreeThousand or any inaccuracy in the information. The views and opinions expressed on material included in ThreeThousand may not reflect those of Right Angle Publishing.

 

Contact:
Right Angle Publishing

Level 6, Curtin House
252 Swanston Street
Melbourne, 3000
+ 61 3 9662 1657

ThreeThousand's MySpace:
myspace.com/threethousand

Group Publisher:

Barrie Barton
+61 3 9662 1657
barrie@rightanglepublishing.com

Editor:
Penny Modra
penny@threethousand.com.au

Design Monkeys:
tin&ed

Contributing Monkeys:

Nadia Saccardo
Chris Barton
Martyn Pedler
Mark Gomes
Isabel Dunstan
Jeremy Wortsman
Roya Azadi
Nick Jumara
Tait Ischia

Street Photography:
nownow pics