Wednesday 13th – 20th September

Apparently, when you move from the country to the city the best way to fit in is to not look up at the tall buildings; to act non-plussed about the bright lights and to ignore all the people with flyers no matter how pretty the paper.

With the exception of the last point, ThreeThousand disagrees. Whether you are from the city or country, we are all for getting caught up and wide-eyed about the colours, shapes, sounds, clothes and other exciting things going on. So although we are all about Melbourne, let ThreeThousand Issue 072 make you feel like you’re from Colac.

 

ThreeThousand 072 – the big smoke

Cover photo by tin&ed. If you would like to submit a cover photo, email photo@tinanded.com.au
 
 
   


Pandora
Face Hunter
Ping Mag
Cool test
Lights
WhyJayKay
Analog Giant
My Disco


Tell us what's cool cool@threethousand.com.au

 


Box Jellyfish
Face lifts
Losing ping pong
Being a sucker
Fights
Jay Jays
Digimon
Mine fields

Tell us what's fool fool@threethousand.com.au

 
   
 
 
 

Art's physicality evokes responses outside of our control, and toying with our sense of material disgust or vertigo can push us to experience immediate forces. Despite the fact that these moments have their own traditions in art, they still hold raw power. The first attraction is that when you force a body to send fight-or-flight signals to the brain, it can't get lost in the endless interpretive game of art. It’s hard to work out the artist's comment on postmodernity if your reptile brain is telling you to run like hell.

MILES HIGH Death of Cool is a bloody, paranoiac carnival of intensity and emotion, and luckily for us, it opens tonight. The exhibit is a garbled cry against the civility of a chemically castrated world that assaults viewers without ever treating them like a student of a lost cause. The game of the body is turned on its head, without the heavy weight of psychology, or the stone of interpretation around its neck. The airplane, that symbolic bastard, is re-imagined in this exhibit alongside a furious manifesto against fruit. Let the bodies hit the gallery floor.

What:
MILES HIGH Death of Cool

Where:
Victoria Park Gallery, 250 Johnston Street, Abbotsford

When:
Opening Wed September 13, 6.30 - 8.30
Runs until September 30. Open Wed-Sat 12-5

Contact:
Victoria park gallery online

How much:
Free

Image by:
Anonymous
 
 
 

One positive thing about living in a city with pre-menstrual weather, is that you can wear a cable-knit cardi like this one all year round. Maybe it’d be slightly warm on a 30-degree day, but when it rains buckets that same afternoon you could slip it on quite comfortably.

Friedrich Gray is one Sydney-sider obviously clued to Melburnian taste. Black with a touch of buttoned colour, his cardis, hooded shirts and wide-cut jackets merge city goth with a wisp of the country, without any dirt or black eyeliner.

What:
Friedrich Gray wool-knit slouch-hood cardi

Where:
Alice Euphemia, Shop 6, Cathedral Arcade, (cnr Flinders Lane), 37 Swanston St, Melbourne and Kids In Berlin, 472 Victoria St, North Melbourne

How much:
$360

Contact:
Alice online or Kids In Berlin on 0417375257
 
   
 
 
 

Full of scientific instruments, fossils, mounted bugs and barometers, Wunderkammer (Chamber of Wonders) is the kind of place in which you’d expect to run into Einstein, or the kids from your Biology 3/4 glass.

Curated by Ray Meyer, who cultivated a love of collectables during 20 years working at the CSIRO, the store moved city-side two weeks ago from the back streets of Carlton.

Even if stuffed owls aren’t your cup of tea, the instruments on display are not just for the science-obsessed, but also for those that appreciate meticulous craftsmanship. The store even stocks antique Orreries that were made before Pluto was scrapped from the planet list. Long live your inner geek.

What:
Wunderkammer

Where:
439 Lonsdale St, Melbourne
 
When:
Tues-Fri 10-6, Sat 10-4

Contact:

Wunderkammer online or Ray on 9642 4694
 
 
 

Its title sounds like a bad translation, but don’t judge into the nature – of Creatures and Wilderness by its cover, judge it for the depth of the images within.

A visual study into the natural world, skip the preface and journey straight into pages thick with illustrations, sketches, photography and prints that burst with life and colour.

As refreshing as a snap-shot holiday, this is not just another ‘design’ manifesto, but an exploration and crossing of the bridges between nature and culture.

What:
into the nature – of Creatures and Wilderness

Where:
Metropolis, Level 3 Curtin House, 252 Swanston St, Melbourne

How much:
$95
 
   
 
 
 

Although it’s described as ‘great music to punch cones to’ by certain street press, Wolf & Cub’s debut album Vessels is more intelligent and dynamic than uni students on a couch after a bucket-bong.

Admittedly it’s dark, and has moments that will make you sway (‘Hammond’), but all in all it is probably more likely to make you dance (‘This Mess’, ‘Rozalia Bizzare’), than pass out. Signed to 4AD, (home of TV On The Radio, The Pixies and Mountain Goats) the album was recorded in Adelaide and mixed in Glasgow by Tony Doogan who has worked with bands such as Belle & Sebastian and Super Furry Animals.

For things to be explosive they first need to be volatile and Vessels - born from wide-ranging influences and fuelled by two drum kits – certainly is that. Admittedly the method that exists behind the madness of Wolf & Cub is hard to pinpoint, yet the resulting debut is definitely worth some psychiatric analysis.

What:
Vessels

Who:
Wolf & Cub

On:
dot dash 

MySpace:
here
 
 
 

When Clerks hit screens in 1994, ThreeThousand was going through puberty. Life was awkward, cheap and swearing in public was hilarious. Back then Clerks was the perfect accompaniment to our juvenile irreverence. Now don’t get ahead of us. We’re not trying to suggest that juvenility or irreverence don’t hold our hands through day-to-day encounters anymore. They do. But since puberty other things have changed - we’ve grown (however slightly). This is where Clerks and ThreeThousand not-so-amicably part ways.

Clerks II is a thick-necked, technicolour travesty of its former self. What’s more, it’s managed to gain that post-Saturn return confidence/delusion that 90’s losers have something to say that’s worth listening to. View Askew parodies itself and its title by vomiting forth what is essentially a very conservative message in a failed shock shot. And come on, Rosario Dawson and Brian O’Halloran?

What:
Clerks II

Where:
General Release

Watch the trailer:
here
 
   
 
 
 

What we do know is that YumCha is the hangover food of the Gods. What we don’t know is where the best YumCha in Melbourne is. We have heard rumours of Shark Fin, the Oriental Tea House and Red Emperor but we need to be sure.

So this week, in the name of hangovers, we ask you to vote for your favourite place, with the optional inclusion of your favourite dish. We will tally the results and next week publish a report of our findings. We might even do a pie-chart.

Submit your favourite YumCha restaurant to yumcha@threethousand.com.au and you just might win a double pass to Fast Food Nation.

What:
YumCha

Where:
You tell us…
 
 

What:
DJ Medhi

When:
Thurs Sept 14

Where:
Honkytonks, Duckboard Place, Melbourne

How much:
N/A

 

Description:
Hip-hop magnate DJ Medhi takes on Honkys tomorrow night. A DJ since 12, the French artist is from Ed Banger records, who also manage cutie Uffie. If you can tell us how much it is we’ll be there too.

What:
URBANology

When:
Thurs Sept 14 - Sun Sept 17

Where:
Arts House Meat Market, 521 Queensberry St, North Melbourne

How much:
$18 full, $15 concession or WIN a free double pass for this Friday night’s show by emailing VERSE to pip.carroll@gmail.com

 

Description:
Inspired by street culture, URBANology is a raw reflection of the cultural flux in the big smoke. Comprising four alternative performances including Verse by Robert Hylton’s Urban Classicism Dance Company from the UK and Crouching Bboy Hidden Dreadlocks by Australian hip-hop artist Morganics; from clubs to skateboarding and art, the production covers the pulsing life within bustling global cities.

What:
Wolf & Cub

When:
Fri Sept 15, 9.30pm

Where:

The Northcote Social Club, 301 High St, Northcote

How much:
$16 + b/f from the Social Club Box Office 9486 1677

 

Description:
Read about them here and see them live. Wolf & Cub launch their new album with Mercy Arms.

What:
The Shaky Hands

When:
Sat Sept 16, 8.30pm

Where:
ClickClick@Brown Alley, Lonsdale St (cnr King St)

How much:
N/A

 

Description:
You might have to brave the underage barrage at ClickClick to see them, but New Zealand’s The Shaky Hands are worth the effort.

What:
Favela Rock 8: Back For The Re-up

When:
Sat Sept 16, 9pm

Where:
Laundry, 50 Johnston St, Fitzroy

How much:
$5

 

Description:
The Opulent crew are at it again with a line-up that looks like DJs: CWD, Mafia, Enari (Syd), Young Steezy and Scattermish.

 
   
 
 

ThreeThousand likes to support other independent publications, especially when they are as articulate as Litmus Journal of Melbourne. With solid editorial and city-related content, we wrote about the mag in Issue 069 and now we have three Litmus packs to give away, which include a copy of ‘The Uses of Heroes; and Litmus back issues, just answer the following question.

 

This week’s question:
Banksy has just given special treatment to which famous person’s album cover?

a) Shannon Knoll
b) Paris Hilton
c) Justin Timberlake
d) Jay-Z

Congratulations to last week’s ‘meet me at mike’s’ winner Natalie. This week it might be you, or it might not. To be in the running send your answer to win@threethousand.com.au

 
 

ThreeThousand is a weekly snapshot of Melbourne's subculture, fired by email into the loving arms of people who realise that the best things in life are often hard to find. It is compiled by an amorphous gaggle of writers, stylists, designers, photographers, sub-cultural attaches and a large troupe of monkeys who enjoy working for peanuts.

Without editorial independence ThreeThousand has nothing. All editorial you read is featured because it's worth it – not because it's paid for.

Advertising Partnerships:
ThreeThousand is funded in full by one advertising partner per issue. We warmly invite advertisers who see the benefit in speaking to Melbourne through a trusted and targeted medium to contact Francesco at frunch@rightanglepublishing.com

Editorial Submissions:
The editorial team at ThreeThousand may know a lot - but they don't know everything. Feel free to send information on events, venues or anything else to chris@threethousand.com.au

Feedback:
Heap praise, sling abuse, ramble inanely – if you have anything to say to us please send it directly to talk@threethousand.com.au

Disclaimer:
The information in ThreeThousand is subject to change. Although we attempt to ensure that the content at the time of publication is correct, we do not guarantee its accuracy or currency. Right Angle Publishing accepts no responsibility to you or anyone else arising from any use or reliance on the information contained in ThreeThousand or any inaccuracy in the information. The views and opinions expressed on material included in ThreeThousand may not reflect those of Right Angle Publishing.

 

We Built this City on Rock n Roll

Right Angle Publishing:

ThreeThousand and TwoThousand are published by Right Angle Publishing.

Right Angle Publishing:
Level 6, Curtin House
252 Swanston Street
Melbourne, 3000
(03) 9662 1657

Group Publisher:
Barrie Barton
03 9662 1657
barrie@rightanglepublishing.com

Editor:
Chris Barton
chris@threethousand.com.au

Deputy Editor:
Nadia Saccardo
nadia@threethousand.com.au

Design Monkeys:
tin&ed
www.tinanded.com.au

Contributing Monkeys:
Josh Gardiner
Jessie French
Remi Carette
Luke Brown
Jonah DeMallory
Lauren Hawthorne
Reuben Ruiter
Tom Jackson
Kath Loftus
Charlotte McInnes
Nigel Carboon
Martyn Pedler
Woody McDonald
Christian McCrea
Kirsten Law
Thom Grogan

ThreeThousand's MySpace:
myspace.com/threethousand